tag:blogger.com,1999:blog-53701879199101280772024-03-28T20:29:43.036-07:00lula's wallsabout the artwork at lula cafeAnders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.comBlogger31125tag:blogger.com,1999:blog-5370187919910128077.post-18061630071768956762016-05-28T10:07:00.002-07:002016-05-28T10:07:52.364-07:00Spring 2016: Side Projects<div class="separator" style="clear: both; text-align: center;">
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Since 2002, Marianne Fairbanks and Anders Nilsen have served as curators of the art programming at Lula. After this long tenure, they are stepping down from this role. In their role as curators, Fairbanks and Nilsen have championed the work of upwards of forty local and international artists working across a wide range of media. As their time curators draws to a close, Lula will turn the focus on them, and is mounting <i>Side Projects</i>, a show of the work Fairbanks and Nilsen have each produced as part of their own thriving solo art practices. In this farewell show, Lula is thrilled to celebrate of the high curatorial bar Fairbanks and Nilsen have established in their thirteen-plus years at Lula.<br />
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Anders Nilsen is an internationally recognized cartoonist and graphic novelist with work translated into several languages around the world. He is showing original work from his recently completed coloring book, <i>A Walk in Eden</i> (Drawn + Quarterly, 2016)(available in November). Also on view are a diagrammed vacant lot drawing from his time living in West Logan Square, originally drawn for an Italian newsmagazine, and a few small pieces from another book <i>God and the Devil at War in the Garden</i>.<br />
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Marianne Fairbanks is co-founder of the experimental cultural space, Mess Hall, and of Noon Solar, a small business that made wearable solar technology to charge portable electronics. She also worked collaboratively in an art group titled JAM. Currently she is an Assistant Professor in Design Studies at the University of Wisconsin Madison where her research includes creating new work for exhibitions and collaborating with a chemist to create a photovoltaic textile -- a cloth to collect solar power.
Fairbanks is presenting new work that uncovers the visual affinities between the disparate arenas of domestic weaving practices and the abstracted geometries of Minimalism. Her work acknowledges structures and effects embedded in the intersections of threads that, because of their small scale, often go unseen and unconsidered. By inflating the scale, she exposes the embedded layers of labor and sophisticated math-based systems at work. In the bold, material-based explorations on view, the simple over-under rules of weaving reveal complex patterns and sometimes jarring color relationships. The ‘wall weaving’ installations display the magnified structures in a radical palette of neon plastic that feels electric and loud, while the drawings and jacquard weavings more quietly pose questions of value, labor, and time.<br />
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Nilsen and Fairbanks first met in 1999 – the same year Lula first opened its doors –while studying in the graduate program at the School of the Art Institute of Chicago (SAIC) where they had neighboring studios. Nilsen left the School after one year and found work as a cook in Lula’s kitchen. He recommended Fairbanks for a server position not long after. In 2002 the original curator stepped aside and they stepped into the role themselves with a plan to show work that they loved and to play with what showing art in a cafe could mean. The first show they mounted was an immediate departure: they assembled a show not of artwork, but of collections, borrowed from friends and some Lula patrons, including one server’s collection of hundreds of butterfly wings. Over the years they have installed over 50 exhibitions ranging from Haitian Voodoo flags, cellphone street photography, inflatable wall hangings, crumpled paper, painted cyanotypes, a video installation, and one show made up entirely of drawings of car engines. The artists they’ve shown have come from all over Chicago, around the midwest, and as far away as Finland, Italy and Hong-Kong.Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com1tag:blogger.com,1999:blog-5370187919910128077.post-29496620020296043042016-01-18T07:54:00.001-08:002016-01-18T07:54:23.823-08:00Winter Show 2016: Project Astoria:test two: The Brazil Colony<div class="separator" style="clear: both; text-align: center;">
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For our Winter show Lula Cafe is pleased to present Project Astoria: Test Two a show of new work by photographer Todd Baxter.
Project Astoria is a narrative photo series exploring life on an imagined new planet and its moons, discovered hidden within our own Sun's system by an amateur astronomer in Astoria, Illinois, in 1927. The moons, named for his daughters Elsie and Vivian, are found to be habitable and are colonized by a co-operative multinational expedition from Earth in the mid 1970's. The images follow the moons' immigrants as they explore, adapt and create a new life in their strange new worlds. Moving between the surreal feeling of a fairy tale and something more familiar and deceptively mundane, Project Astoria takes Baxter's unique visions to an ambitious new level.
With roots in painting and collage, Baxter creates lush, atmospheric, intricately constructed narrative scenes that feel at once strange and eerily familiar. The images of Astoria are painstakingly and seamlessly assembled from location shots taken in places as close by as Kentucky and Washington and as far afield as Morocco, Hawaii and Guam. Astoria's inhabitants are shot in the studio with hand made costumes, or in the case of one giant snow creature, constructed from clay with a dog's fur applied seamlessly by digital means. The characters and stories are fleshed out by Baxter partner and collaborator Aubrey Videtto.
Baxter's influences are as varied as the paintings of Balthus, renaissance era wax medical models, New Mexico's Space Museum and the style guide from the 1972 Munich Olympics.
Project Astoria: Test Two is the second in a series of four planned in-process exhibitions at Lula as Baxter works to complete the large scale, multi-year Astoria Project. It is the artist's fourth solo show in our space.
An opening reception with the photographer will be held on January 19th from 6-9, with a cash bar and complimentary hors d'oevres.
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<br />Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com2tag:blogger.com,1999:blog-5370187919910128077.post-79221638365389645132015-10-18T13:35:00.005-07:002015-11-03T11:06:01.747-08:00Fall 2015: Casey Roberts: Soft Power <div class="separator" style="clear: both; text-align: center;">
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Roberts creates large images on watercolor paper coated with light-sensitive cyanotype emulsion. He exposes the resulting support to light with certain areas blocked with objects or prepared shapes to produce shapes in the deliciously mottled matte blue so characteristic of the cyanotype process. He works into the resulting photogram silhouettes further with other chemicals and with watercolor or gouache to create punctuated moments of color and suggest oblique narratives. The contrast of highly articulated natural forms and the simple graphic shapes of his hand are evocative of dreams and suggest classic children's book illustration.</div>
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Casey Roberts earned a BFA from the Herron School of Art and Design and has shown his work internationally. He lives in Indianapolis.</div>
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Please join the artist for a reception <span class="aBn" data-term="goog_1718874891" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: dashed; border-bottom-width: 1px; position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">Tuesday October 20th</span></span>, from 6-9 at Lula. Complimentary hors d'oeuvres and cash bar.</div>
Unknownhttp://www.blogger.com/profile/16649799925607186779noreply@blogger.com1tag:blogger.com,1999:blog-5370187919910128077.post-30201224122340812392015-08-18T08:23:00.002-07:002015-08-18T08:23:45.968-07:00Summer 2015: Katara Mallory and Leslie Baum<div class="p1">
July 14- October 20, 2015</div>
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<b>Leslie Baum:</b></div>
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A Slower Dimension: Portals and Mementos</div>
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<b>Katara Mallory:</b></div>
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Star Wars Drawings</div>
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For this show we have paired the work of Leslie Baum and Katara Mallory. Leslie Baum is an artist and educator <span class="s1">who teaches at the </span><a href="http://thresholdssouthartists.com/home.html">Nathan and Kiyoko Lerner Foundation</a> a center where artists with mental illnesses explore and develop their creative visions. We first showed Baum’s work in 2011 <span class="s1">and soon after that she shared with us the </span>incredible drawings of one of her students, Katara Mallory.</div>
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Over the past eight years Katara has made hundreds of drawings based on stills from the Star Wars trilogy. The drawings captured our attention for their bold, idiosyncratic forms, their confident hand and strong colors, and the clear, underlying enthusiasm of an artist for his pop culture subject – one to which many viewers will likely be able to relate.</div>
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Katara Mallory</div>
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30” x 22”</div>
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Marker and pencil on paper</div>
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We are pleased to have the opportunity to show Mallory’s work alongside the work of his mentor Leslie Baum. While the two artists work differs on the surface, the formal use of strong color and shape connect the two, as does a more diffuse thematic exploration of imagined access to other worlds. </div>
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<a href="http://www.lesliebaum.net/"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFPMsYIRYCQKTDFUJ9ls143pv1F7qTud2yViYFst-8CCwXUxG8DzevdtNV30DkeO15Pu6BxNi-QfUtJoRSOAG-Drdi4O4frARME2daw3egAgIaAwClxpFOpFDYD7eCa4gFTBwtQlrIdYp0/s320/a+layered+time.jpeg" width="320" /></a></div>
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<i>A Layered Time</i></div>
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54" x 54"</div>
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It is also worth noting how each artist approaches their respective media and ability to explore space and depth in two dimensions, whether in the paused, flattened frames from which Mallory draws, or in Baum's suggestion of space through flat colors and shapes. Mallory spends hours with markers filling in the dark black spaces of the page with organized, repetitive marks, while Baum explores a range of paint media from watercolor to spray paint on experimental surfaces and shapes which become 3-dimensional paintings or pop-up table top drawings. Space is represented physically as she gets away from traditional geometric boundaries but also each surface plays with the sense of depth within the paintings.</div>
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Unknownhttp://www.blogger.com/profile/16649799925607186779noreply@blogger.com9tag:blogger.com,1999:blog-5370187919910128077.post-59819970837551969462015-04-10T11:24:00.000-07:002015-04-10T11:56:26.833-07:00Mark Booth: Spring Show 2015<div class="MsoNormal">
<span style="font-family: Garamond; font-size: 14pt;"><span style="font-size: large;"><i><span style="font-family: "Avenir Light";">A Nautilus
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: 14pt;">Lula is pleased to announce our Spring show for 2015, featuring recent
work by Mark Booth. The exhibition
features two related bodies of Booth's work. The first is a selection of exquisite new abstract stencil-and-airbrush paintings in which complex abstract geometries are layered over one another on paper in shades of gray and silver. </span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: 14pt;">The second body of work in the show comprises the most recent text-and-image drawings from Booth’s ongoing project GOD
IS REPRESENTED BY THE SEA/THE SEA IS REPRESENTED BY AN IRREGULAR SHAPE (GIRBTS/TSIRBAIS). </span><span style="font-size: 14pt;">Each drawing in this series connects with the drawings that
precede or follow it, forming a continuous list of successive, sequential, linguistic
images. Both the drawings and text are improvisational and result in an interlaced series of dream-like images that </span><span style="font-size: 14pt;">manage
to be at once funny, poetic, unexpected and beautiful.</span></span></div>
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<span style="font-family: Garamond; font-size: 14pt;"><span style="font-family: Arial,Helvetica,sans-serif;">A reception with the artist will be held on Tuesday, April 14th from 6-9 with hors d'oeuvres and cash bar.</span></span></div>
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Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com6tag:blogger.com,1999:blog-5370187919910128077.post-50217915993634992812015-01-25T10:19:00.003-08:002015-01-25T10:20:24.341-08:00Winter 2015: Over UnderFor our Winter show of 2015 we are delighted to announce <b><i>Over Under</i></b>, an exploration of contemporary practices in weaving among four artists.<br />
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<b>Samantha Bittman</b> uses a traditional hand-loom for non-traditional ends, augmenting woven cloth with painted passages and disrupting the grids that make up a standard woven cloth with sewn interruptions.<br />
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<b>Melissa Leandro</b> uses high and low tech weaving systems to translate drawings mined from her personal history into cloth. The hand loomed work is used as a substrate to work back into with sewing, collage, cutting and melting. She also translates drawings into digital files that are then woven on a digital jacquard loom translating the paper and pen to pixels and pixels into yarn.<br />
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<b>Christy Matson's</b> weavings are done on a digital loom as well, allowing her to weave far more complex designs than would be possible on a traditional matrix, designs culled from her own drawings, translated digitally into zeros and ones.<br />
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<b>Michael Milano's</b> work in the show concentrates on drawings he's done that allude to and are inspired by the structure and design of a woven grid and the traditions and practice of weaving.<br />
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Please join the artists for a reception at Lula on March 10 from 6-9.<br />
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<br />Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-8309921228235440012014-09-16T19:43:00.002-07:002014-09-16T19:43:26.410-07:00Fall 2014- BOUNDARIES, COLLAPSE <div class="MsoNormal">
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<span style="color: #222222; font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt;">a
group exhibition brought to you by guest curator<b> Aay Preston-Myint </b>for
Chances Dances </span><span style="color: black; font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 16.0pt;"><o:p></o:p></span></div>
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<b><i><span style="color: black; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;"> </span></i></b><span style="color: black; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-size: 11.0pt;">Latham Zearfoss<o:p></o:p></span></b></div>
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<span style="font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-size: 11.0pt;">silk,
watermelon / 11" x 11"<span style="mso-spacerun: yes;"> </span>2010<o:p></o:p></span></div>
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<span style="background: #FFFFCC; color: #222222; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;">Lula</span><span style="color: #222222; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;"> Cafe
is pleased to present its 2014 Fall show<b><i> Boundaries, Collapse</i></b><i>, </i>assembled
by guest curator and artist Aay Preston-Myint of Chances Dances. <b><i>Boundaries,
Collapse</i></b> is a mixed media group show seeking to illuminate both
parallels and ruptures between contemporary queer artistic concerns, early
queer liberation movements, and popular (mis)conceptions of queer thinking. The
show features works from the Chances community, and winners and finalists of
the Critical Fierceness Grant, an artist microgrant funded by Chances Dances.</span><span style="color: black; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></div>
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<span style="color: #222222; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;">As
acceptable, sanitized aspects of queerness continue to be assimilated and
appropriated by the wider visual culture, some of us who still feel the dangers
and complexities of living in queer bodies become distanced from a
recognizable, coherent queer aesthetic. In <b><i>Boundaries, Collapse</i></b>,
the work of Katie Vota, Betsy Odom, and Latham Zearfoss tackle this distancing
through a formal engagement with the legacy of pageantry, camp and pride
inherited from earlier queer movements. Other works interpret this affect
through a displacement of desire onto inanimate objects - in the case of Matt
Morris, the obsessive rubbing, sanding, and even gnawing of surfaces; in the
case of Rebecca Mir Grady, the impossibility of a romance with the ocean; in
the case of the late Mark Aguhar, a trans-species affinity unfolds in
barely-there lines. Artists like Aay Preston-Myint, Michael Sirianni, Daniel
Luedtke express queerness in their contributions as a sort of out-of-body
state, by reducing physical experience to its requisite parts - looking,
longing, touching. Still others look to complicate a one-dimensional queer
experience by reaching across invisible lines to other aspects of identity - as
in the work of Rami George, Kiam Marcelo Junio, Adam Liam Rose.</span><span style="color: black; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></div>
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<b><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaklS9e6TO4r6x1hpzU5GoZSTqST6XLOCfgZ1_TZOijqHt-K_Z6COHSstSPAZcua8eisxK5ZjJWs5DY4LsRY7RchiNMUA20njExnGKgzCuiW9xfJvFXySvrkse-tDbMDM4XnjNADyHPtR2/s1600/Lula_Sirianni-HR+(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaklS9e6TO4r6x1hpzU5GoZSTqST6XLOCfgZ1_TZOijqHt-K_Z6COHSstSPAZcua8eisxK5ZjJWs5DY4LsRY7RchiNMUA20njExnGKgzCuiW9xfJvFXySvrkse-tDbMDM4XnjNADyHPtR2/s1600/Lula_Sirianni-HR+(1).jpg" height="320" width="249" /></a></i></b></div>
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<b><i><b style="mso-bidi-font-weight: normal;"><span style="font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-size: 11.0pt;">Michael Sirianni<o:p></o:p></span></b></i></b></div>
<span style="color: black; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span><br />
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-size: 11.0pt;">A4A Drawing #3<o:p></o:p></span></i></div>
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<span style="font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-size: 11.0pt;">11"
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<span style="color: #222222; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;">Chances
Dances is one of Chicago's longest running queer dance parties and a safe space
for all gender expressions. The show features works from the Chances community,
and winners and finalists of the Critical Fierceness Grant, an artist
microgrant funded by the dance party.</span><span style="color: black; font-family: Helvetica; font-size: 7.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></div>
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<b><i><span style="color: #222222; font-family: Helvetica; font-size: 7.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Boundaries, Collapse</span></i></b><span style="color: #222222; font-family: Helvetica; font-size: 7.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"> will run in
conjunction with Chances Dances' first ever crowd-sourced fundraiser, intended
to fortify the Critical Fierceness Grant which offers biannual microgrants for
queer art in the Chicago area. This includes the Mark Aguhar Memorial Grant, a
$1000 grant for feminine-spectrum artists of color. Chances organizers will be
tending bar at <span style="background: #FFFFCC;">Lula</span> for the
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE74DkYRWx-XV5iIHmverNUoA5ImerEnRR1Bfq1atm6NTWcr4trFOiAwusMOE-mN_rKyCVA0KMsnpsUgnTv3wQwuwwQAu4e0XYx8VlrBmZBepWo-tiOMq5IbwoW3NAwymd8N-6p8IlHJwv/s1600/Lula_Junio2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE74DkYRWx-XV5iIHmverNUoA5ImerEnRR1Bfq1atm6NTWcr4trFOiAwusMOE-mN_rKyCVA0KMsnpsUgnTv3wQwuwwQAu4e0XYx8VlrBmZBepWo-tiOMq5IbwoW3NAwymd8N-6p8IlHJwv/s1600/Lula_Junio2.jpg" height="320" width="239" /></a></div>
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<b><span style="color: #222222; font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt;">Kiam Marcelo Junio</span></b><span style="color: #222222; font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-size: 11.0pt;">Camouflage as a Metaphor for Passing: Mimesis I<o:p></o:p></span></i></div>
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Unknownhttp://www.blogger.com/profile/16649799925607186779noreply@blogger.com1tag:blogger.com,1999:blog-5370187919910128077.post-33152474603404531292014-05-27T20:31:00.006-07:002014-06-08T10:15:39.322-07:00things thrown upwards-- A solo show by Claire Ashley<div class="MsoNoSpacing">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Lula
Café Summer Show<o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">June
3 - September 9, 2014<o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Opening
Reception June 10, 6-9pm</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAQTQaQwYtK0tRovNr5cCPPhuXIL-ld0dkwsSShx4BtMZB3ikIkB75aB2gHhdIZxU6NgVL-SZwDIyyLgKqF4hflPdGyxRAMLfhZhgQuUa9DkesKzfAbllgxOkii9I4EaBf9BI3GlLbI94/s1600/DSC_0156.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAQTQaQwYtK0tRovNr5cCPPhuXIL-ld0dkwsSShx4BtMZB3ikIkB75aB2gHhdIZxU6NgVL-SZwDIyyLgKqF4hflPdGyxRAMLfhZhgQuUa9DkesKzfAbllgxOkii9I4EaBf9BI3GlLbI94/s1600/DSC_0156.jpg" height="424" width="640" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">
In <i>Things Thrown Upwards</i> Ashley presents a cross section of her work as
sculptor, painter and visual slapstick artist. The show features painted
panels, stuffed forms and fabric wall hangings, all marked with Ashley's
exuberant neon spray painted mark making. Ashley's work is a playful
exploration of the intersection of painting and sculpture, many of her hand
made inflatable sculptures begin as two dimensional silhouettes, sewn together
and then inflated or stuffed cartoonishly into buoyant, quivering, misshapen
forms. Paint sprayed on the objects' surfaces in their various states retains a
record of its peculiar dimensionality in the way it skips over wrinkles and
drips along fault lines. In shape, color and gesture the work toys with the
overlap of, on the one hand, goofy, cartoonish exuberance rendered in
industrial materials, and on the other a sublime, unexpectedly beautiful play
of color and shape that draws you up short and exemplifies the most profound
possibilities of contemporary painting. </span><span style="font-family: Century Gothic, sans-serif;"><o:p></o:p></span></div>
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<i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: small; text-indent: 4.5pt;"><span style="background: white; color: #222222; line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiULubuVi6WENh1_EbfKqC2kJIYP5qPGIUWGcMgJ2ZKGkQkKMmpo4_KpacJppe0AnkD4zjZ27q3dM6kp4FUa9sd897EzcohxiVESb-5OJqE7pCoFOpsaYFfJjsfX8RFwB55_QAmZi_t7EE/s1600/DSC_0123.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiULubuVi6WENh1_EbfKqC2kJIYP5qPGIUWGcMgJ2ZKGkQkKMmpo4_KpacJppe0AnkD4zjZ27q3dM6kp4FUa9sd897EzcohxiVESb-5OJqE7pCoFOpsaYFfJjsfX8RFwB55_QAmZi_t7EE/s1600/DSC_0123.jpg" height="424" width="640" /></a></span></i></div>
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<span style="color: #666666; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 11pt; line-height: 115%; text-indent: 4.5pt;">Artist Bio:</span></div>
<div class="MsoNoSpacing" style="margin-left: 63.0pt; text-indent: 4.5pt;">
<span style="color: #666666; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 11pt; line-height: 115%; text-indent: 4.5pt;">Claire Ashley grew up in Edinburgh, Scotland. She received a BFA from Gray's
School of Art in Aberdeen and her MFA from the School of the Art Institute of
Chicago, where she currently teaches. She has exhibited her work widely in
North America and in the UK. She lives in Oak Park, IL.</span></div>
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Unknownhttp://www.blogger.com/profile/16649799925607186779noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-77595482408412459622014-03-05T13:27:00.004-08:002014-03-05T13:28:49.287-08:00Lula Spring Show 2014 - Cut Fold Crumple Paste<!--[if gte mso 9]><xml>
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Lula Spring Show 2014</div>
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<b>Cut Fold Crumple Paste</b></div>
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Artists Working with Paper</div>
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March 11 - June 3, 2014</div>
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Opening Reception: Tuesday,
March 11, 6-9</div>
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">The
show is an exploration of paper as a medium beyond its usual role in art as a
support for drawing or painting. In perhaps the exhibition's most
straightforward approach German cartoonist and sculptor <b>Marijpol</b> cuts a
remarkable variety of evocative bat faces from textured brown paper.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQiOJN1QECH9qvRd7y9l1kObPaxjhhP1j56E4NHlWQYNXOUfcqdGWKIUefta5rVilwEOcgh4HaFMxDZb8zbncMGKv__ga1SVMgMaFsZGIOpg5RmSytnkjzYYFSuO6GXXTMfEkdM4_Vu7rj/s1600/MarijpolBat01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQiOJN1QECH9qvRd7y9l1kObPaxjhhP1j56E4NHlWQYNXOUfcqdGWKIUefta5rVilwEOcgh4HaFMxDZb8zbncMGKv__ga1SVMgMaFsZGIOpg5RmSytnkjzYYFSuO6GXXTMfEkdM4_Vu7rj/s1600/MarijpolBat01.jpg" height="300" width="400" /></a></div>
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<b><span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt;">Marijpol</span></b></div>
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt;">24" x 30"<br />
2013</span></div>
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<br />
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">France's
<b>Emilie Plateau</b> begins by drawing tiny cityscapes in a traditional way,
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sets. Chicago shadow puppeteer <b>Sara Drake</b> has taken her medium of light
projected through cut paper figures and fixed the cast light in giant blue
cyanotypes. The late <b>Cheryl Weaver</b> created minimal, abstract, geometric
'drawings' simply by making careful folds in her paper support. A similar
approach leads to markedly different results for <b>Kayla Risko</b>, who takes
large scale black photocopies and crumples them in a hug-like embrace, leaving
fine spidery white lines in the inky black toner. <b>Stephen Eichhorn</b> and <b>Diana
Guerrero-Maciá</b> use found printed or colored paper in new takes on the 100
year old tradition of collage.</span></div>
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<br /></div>
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;"></span><b><span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">Stephen Eichhorn</span></b><span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">
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54" x 44"<br />
Collage on archival inkjet print</span></span></div>
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<b><span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt;">Diana Guerrero-Maciá</span></b></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt;">o. Ophelia</span></i></div>
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt;">14 ¾” x 17</span></div>
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enamel on paper</span></div>
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">Lastly,
the uncategorizable <b>Lilli Carré</b> uses paper in a variety of ways from
hand-made paper embedded with string to create images, to photocopied, hand-cut
pop-up books.</span></div>
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">The
results and themes in these artists' work varies widely, but each is in some
way defined by a thoughtful, direct approach to what might be the humblest,
most foundational material in any artist's craft.</span></div>
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<span style="font-family: "Gill Sans MT","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">An
opening reception with several of the artists will be held Tuesday, March 11th
from 6-9 with a cash bar and complimentary hors d'oevres.</span></div>
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Unknownhttp://www.blogger.com/profile/16649799925607186779noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-22093632090306293432014-01-04T14:47:00.000-08:002014-01-04T14:47:55.777-08:00Here are a few more imagesFrom Todd Baxter's Astoria Project. Up now through March 18th, 2014.<br />
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Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-60480441536831835112013-12-03T15:45:00.001-08:002013-12-03T15:46:13.231-08:00Winter Show 2014: Todd BaxterLula is pleased to announce its 2014 Winter show, <i>Project Astoria: Test One</i>, photographs by Todd Baxter. Opening reception with the artist will be held Tuesday, December 17th, 6-9.
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Project Astoria is an exploration of an imagined new planet and its moons, discovered hidden within our Sun's system by an amateur astronomer in Astoria, Illinois, in the 1920's. The moons, named for his daughters, are found to be habitable and are colonized by a co-operative multinational expedition from our own world in the mid 1970's. The images follow the moons' immigrants as they explore, adapt and create a new life in their strange new worlds. Moving between the surreal feeling of a fairy tale and something more comfortable and deceptively mundane, the Astoria Project takes Baxter's unique visions to an ambitious new level.
Trained as a painter and collagist, Baxter creates lush, atmospheric, intricately constructed narrative scenes that feel at once strange and familiar. The images from Astoria are painstakingly and seamlessly assembled from location shots taken in places as close by as Kentucky and Washington and as far afield as Morocco, Hawaii and Guam. Astoria's inhabitants are shot in the studio with hand made costumes, or in the case of one giant snow creature, constructed from clay with a dog's fur applied seamlessly by digital means. The characters and stories are fleshed out by Baxter and collaborator Aubrey Videtto.Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com2tag:blogger.com,1999:blog-5370187919910128077.post-25672539106723214912013-09-10T12:12:00.001-07:002013-09-10T12:12:30.891-07:00Fall Show: Katie Loomis and Carrie Gundersdorf<div dir="ltr" id="docs-internal-guid-37a5e3a2-0935-ed5d-22b0-ba21c0616a8b" style="line-height: 1; margin-bottom: 5pt; margin-top: 5pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: small; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">For the Fall show we are excited to pair the work of two Chicago based artists, Carrie Gundersdorf and Katie Loomis. </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: small; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">Gundersdorf is both a painter and collagist. Following an interest in imagery of astronomical and weather phenomena she builds collages that play with repetition and pattern using the found images of sunspots, lightning strikes and the Aurora Borealis. The familiar imagery is abstracted and reframed through repetition and patterning in a way that touches on a long history in art from traditional crafts to high modernism.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: small; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span id="docs-internal-guid-37a5e3a2-0937-7be3-4bd4-616687f62c58" style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">Also pulling inspiration from scientific imagery of the universe and geologic formations, Katie Loomis' paintings investigate the line between control and spontaneity. She uses careful manipulations of paint to create perfect edges of color paired with a more random, dye-like staining technique where paint is applied into un-sized canvas. She achieves phenomenal effects and vivid colors evoking a tension of opposite aesthetic impulses. </span></span></span></div>
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<span style="background-color: transparent; color: black; font-family: Arial; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="font-family: Arial,Helvetica,sans-serif;"><span id="docs-internal-guid-37a5e3a2-0937-7be3-4bd4-616687f62c58" style="background-color: transparent; color: black; font-size: small; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">A reception with the artists will be held Tuesday, September 17 from 6 to 9. Hors d'oeuvres will be served </span></span> </span></div>
Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-77708072342210547502013-06-07T08:38:00.001-07:002013-06-07T08:40:03.304-07:00Summer Show 2013: Sonnenzimmer and Jordan MartinsFor this Summer's show Lula presents a collaboration between<a href="http://jordanmartins.com/"> Jordan Martins</a> and <a href="http://www.sonnenzimmer.com/memory/">Sonnenzimmer</a>.
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Jordan Martins (above) is a collagist, creating finely detailed, intricate,
massive compositions from widely varying visual sources, minutely
fragmented and sealed in resin. Sonnenzimmer‘s Nadine Nakanishi and Nick
Butcher are well known as designers and poster artists, but they have
been getting increased attention lately for their paintings as well (see below).
Working in an intuitive, collaborative abstraction, the two produce
gorgeous, unexpected, pastel-colored images.
The three artists will collaborate on a series of prints to be hung
together with a number of their own respective compositions paired and
grouped collaboratively.
The show opens, with a reception with the artists on June 11th from
6-9. Drink specials and hors d’oeuvres provided by Lula.<br />
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<br />Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-84395712318957108102013-03-03T10:11:00.000-08:002013-03-03T10:11:18.061-08:00Spring Show 2013: Jarmo Koponen and Alex Cohen<div class="separator" style="clear: both; text-align: center;">
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Lula Cafe is pleased to to present work by Jarmo Koponen and Alex Cohen for the Spring show, opening March 5th, 6-9.<br />
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Jarmo Koponen is a photographer and painter, native to Finland and currently living in Minneapolis. Lula is presenting a series of landscapes and abstract architectural forms. The images are quiet and contemplative, with an underlying, subtle tension. Kaponen's work has been shown internationally. This is his first exhibition in Chicago.<br />
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Alex Cohen's work could hardly be more different. Cohen is a painter and ceramicist born and raised in Chicago whose work is colorful, playful, warm and loose. Lula is presenting a selection of his portraits. His subjects are straightforward and close at hand including his friends and family, icons of hip hop and skateboarding and at least one influential sitcom from the 1980s. For more information and a price list contact andersbrekhus@gmail.com or mfairb@gmail.com.Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-33154990594287421352012-11-29T09:54:00.000-08:002012-11-29T09:54:05.640-08:00Winter Show 2012-13: Fraser Taylor: Diagrams and Seams
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For its Winter show Lula Café is pleased to present the work of Fraser Taylor. In his exhibition, titled Diagrams and Seams, Taylor
presents a combination of monotypes, and stencils on paper and large scale multi-media paintings using deconstructed garments
and other subtly integrated found objects layered with thickly applied, almost charred or clotted black and white paint. The near
monumental canvases are at once minimal and packed with subtle variations in texture, and familiar objects are made strange.
Fraser Taylor was born in Britain. He was a founding member of the London based fiber-arts collective The Cloth. He currently
lives in Chicago and teaches at the School of the Art Institute. His work has been exhibited internationally.
A reception will be held at Lula, December 4th, from 6-9pm
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<br />Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-80886271364135131272012-08-07T12:31:00.000-07:002012-08-08T13:14:55.213-07:00Fall Show: David Uthus and Kim WindermanLula's Fall show opens August 14, 6-9. The show features Kim Winderman and David Uthus two photographers working with landscape in very different ways.<br />
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<span style="font-family: times new roman,serif;">David Uthus lives in
Chicago, a transplant from St. Louis. In these pieces his tool is what
is always close at hand – the camera in his cell phone. The subjects of
his pictures are the quiet, unnoticed ironies and puzzlements of the
urban landscape photographed in passing: an unexpected pattern of tire
tracks in the slush... a concrete parking block that has found its way
to the top of a snow pile... a simple, bright rectangle of light under a
restroom stall door. At first glance some of his pictures seem so plain
that a viewer could reasonably wonder if there's been some mistake,
that there's almost nothing there at all. But his subjects rise slowly
to the surface. Viewed together, patterns emerge, a sense of the
photographer's careful, thoughtful and slightly absurd view of the lowly
and the discarded objects of the city emerges.</span><br />
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<span style="font-family: times new roman,serif;">L.A. photographer Kim
Winderman's tools couldn't be more different. She shoots film, medium
format, requiring a bit more planning in capturing her pictures and the work at Lula is black and white, but she too is asking us to
pause and look at things our gaze might ordinarily pass over. Winderman
has an incredible eye for intricate abstraction in natural forms. Slow
and quiet, her pictures feel heavy with the play of light and darkness
in more than just a visual sense. She says her work is about "Singling
out moments...slowly and thoughtfully." Uthus might say the same thing
about his.</span><br />
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The show opens at Lula August 14th with a reception from 6-9. Appetizers and cash bar. Come say hi.Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-50409800835807578052012-05-08T20:34:00.002-07:002013-06-07T09:01:58.254-07:00Karolina Gnatowski: We Have to Believe We Are MagicKarolina Gnatowski<br />
<i>We Have To Believe We Are Magic </i><br />
May 2 - August 13 2012 -- Opening Reception, Tuesday May 22 from 6-9pm <br />
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<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;">Eye
Lets, 11.5' x 6.5', yarns, findings</span></div>
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<span style="font-family: "Hoefler Text"; font-size: 11pt;">For our summer show we are exhibiting the work of Karolina
Gnatowski. Karolina creates physically rich, bodily works that operate through a
psychedelic lens turning textures, colors and woven structures into wall hung
protagonists and other strange characters.
Working against the backdrop of
craft traditions like the Bauhaus, Gnatowski confronts these ideals through
surface embellishment and the addition of pop culture iconography from the
1960s and 70s. By playing with combinations of imagery, affects and handicraft
sensibilities from these great utopian failures she assesses available values
and meanings in the contemporary landscape. </span></div>
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Please join us for the opening reception and a chance to meet Karolina on Tuesday, April 17, 6-9 pm. Lula will provide hors d'oeuvres and a cash bar featuring drink specials.<br />
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<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;">Daisy
Chain</span><br />
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40"x50"</span><br />
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yarns, glitter, fabric, gloves, brooch, findings</span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;">Little
Clown<br />
6'x7'<br />
yarns, ring with eyeball<br style="mso-special-character: line-break;" />
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Unknownhttp://www.blogger.com/profile/16649799925607186779noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-78277782320930595232012-02-10T07:31:00.000-08:002012-02-11T17:49:44.929-08:00Winter Show 2012<br />
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</style><span style="font-size: small;">The winter show at Lula comes from our friend Aron Packer at
Packer Schopf Gallery. </span>
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<span style="font-size: small;">Aron has a great
eye and represents some amazing contemporary artists and outsider artists so we
were really excited to pick through his collection. To dig through his stock room is a unique experience. We
uncovered delights that reflect Aron’s longstanding interest in outsider work such as the
Cowboy Drawings of Harry Young as well as the very contemporary and highly
crafted work of Renee McGinnis. </span></div>
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<span style="font-size: small;">McGinnis' epic paintings can be seen in the dining room. The dilapidated structures she paints are surrounded by topiary
gardens of a misdirected beauty, suggesting man’s desire to control nature. </span></div>
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<span style="font-size: small;">Along with the
macro approach in the epic scenes of broken ships, McGinnis also takes a micro
approach as she dissects and magnifies the life found in the lush green
topiaries. In her Unified Field Theory work McGinnis places the viewer directly
over a circular symmetry of insects. When you see these precise paintings
you’ll wonder if you are seeing a close up of an atom or the universe itself.</span></div>
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<span style="font-size: small;">On display in the bar is the The Harry Young collection as well as works by L.C. Spooner. The former includes a number of handmade
figures on cardboard that were found in a large wooden box with "Harry
Young, 38 Inkerman, St. Thomas, ON" scratched on the inside. The box
originally included over 350 cardboard figures of cowboys, lawmen and horses. The vast
majority are hand drawn, though here are a handful of figures that have faces collaged from newspaper ads for cowboy movies.
The box also contains a number of other miscellaneous items, including a wearable
Marshall's badge and a small, handwritten book of "laws," which
establishes rules for cowboy life, morality and justice.</span></div>
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</style><span style="font-size: small;">
<span>The second artist in the bar, L.C. Spooner, was an inventor of the practical and the
fantastic. His artistic production, created between 1911 and 1934, blueprints for machines and everyday life objects based on the
principle of self-propulsion (self-propelled motors, self-propelled trash cans,
self-propelled scales, self-propelled finger-lifter, etc.). The triumphs of
industrial development in the beginning of the 20th century were, without any
doubt, the source of inspiration for those who have been called "crazy
inventors". L.C. Spooner signed his drawings "L.C. Spooner
Inventor".</span> </span></div>
<div style="font-family: Times,"Times New Roman",serif;">
<span style="font-size: small;">
</span></div>
<div style="font-family: Times,"Times New Roman",serif;">
<span style="font-size: small;">The Winter show will be up until April 20 with a reception to be held on April 17, 6-9.</span></div>
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-81500261613304871022011-10-10T11:42:00.000-07:002011-10-10T11:42:31.390-07:00<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlaZN-Pd1JhGSVfwOy8Es1_2PU-_J7_R7ybp88-tLBcT9JKpPaslSSZ50dJfBCOzr159lg8p6CJZlK9CTcQEtH89qnRyWzctVPdruKPelpAeZn8iP7LKSgz0CgXnEQ4Irce9HbqdMZ5hI/s320/Savannah_8x5.jpg" style="margin-left: auto; margin-right: auto;" width="212" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-size: small;"> <i>Ceremonial Portrait - Girl</i></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwEecAISuOD20N_9Ait_1v-hdupcF7Di5PFDeohv3kSdI1TuiwfhJ4ppBnZRPpaWgjdYj1WkLIpyzp0SUs7rcoYQ6CCgO-UGCbQHLTY12rVt0pEvG9XQ4voFJbf9VNeM2FR5L47OlN3cU/s320/Duke_8x5.jpg" style="margin-left: auto; margin-right: auto;" width="211" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-size: small;"><i>Ceremonial Portrait - Boy</i></span></td></tr>
</tbody></table>
<br />
<span class="Apple-style-span" style="font-size: large;"><a href="http://www.baxterphoto.com/">Todd Baxter</a></span><br />
<div class="MsoNormal">
<span style="font-size: 14.0pt;">Owl Scouts: Lost in the Woods
series </span></div>
<div class="MsoNormal">
<span style="font-size: 14.0pt;">October 1, 2011 - January 17, 2012</span></div>
<div class="MsoNormal">
Closing Receptions, January 10, 2012 from 6-9pm</div>
<div class="MsoNormal">
<span style="font-size: 14.0pt;"><br /></span></div>
Lula is pleased to be showing a selection of Todd
Baxter’s latest series titled “The Owl Scouts: Lost in the Woods.” The series portrays
a fictional narrative about two co-ed scouts who get lost deep in the woods on
a scouting trip. On their journey they encounter a series of challenges (a
flashlight fallen into an owl burrow, a dangerous river crossing, a tornado,
and an encounter with a bear) that test their survival skills.<br />
<br />
This stunning collection of large format photos was
created over the course of three years. Prior to photography, Baxter worked in painting
and collage, both of which have influenced his approach to making photographic art.
Baxter’s photographs involve digital collage of elements from different photos
into a single frame, creating spectacular, unified images that are at once
fantastical, and convincingly real. <span> </span>Baxter was inspired by Victorian portraiture, classic
children’s novels, Native American imagery, and taxidermy. <br />
<br />
To construct the elaborate world of the Owl Scouts, Baxter
used the help of a team of Chicago artists including, Ander Nilsen, Debbie
Carlos, and Marjorie Bailey.<span> </span>With
their help, Baxter refined the narrative, and was able to realize his vision to
create a detailed design for the scouts’ uniforms, right down to hand-embroidered
Owl Scout patches. <span> </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYcHTb7D48DCqAvnrXrCzU2L4Zsk9JZ9Nk449AVAn_1f-dFO0A8XOdfzAHHNyuspHTb-YU0sq8nhRsrEW6gX0UWirbqkMB8nk5SapJq30y9BAMDHO5UcYiQT3sj9Zuud-0pLtMzWL_Li0/s320/boy_underwater.jpg" style="margin-left: auto; margin-right: auto;" width="200" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-size: small;"><i>Challenge 2: River Crossing - Drowning</i></span></td></tr>
</tbody></table>
<br />
Although we are not able to present the entire series of
the photographs for this show, the photos on display reveal critical moments of
the series and will leave you begging for more.<br />
<br />
These photos are sold in a variety of sizes. For pricing or more information please contact curators Anders Nilsen, ndrs@hotmail_dot_com or Marianne Fairbanks, mfairb@gmail_dot_com<br />
<br />
<br />
<div class="MsoNormal">
<span style="font-family: "Times New Roman";">For the closing reception Lula will
provide hors d'oeuvres and a cash bar featuring drink specials. </span></div>
<div class="MsoNormal">
<br /></div>
Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-56675391456885923402011-08-02T07:53:00.000-07:002011-08-02T07:53:28.563-07:00Amy Honchell: Soft Infrastructure<span style="font-size: large;">Reception: Tuesday, August 23, 2011</span><span style="font-size: large;"> 6-9pm</span><br />
<div class="MsoNoSpacing"><span style="font-size: large;">Exhibition: July 13-October 3, 2011</span></div><div class="MsoNoSpacing"><span style="font-family: "Optima","serif";">Here at Lula we are excited to get the chance to have a solo show featuring the new work <a href="http://www.amyhonchell.com/">Amy Honchell</a> titled <i>Soft Infrastructure. </i>This work<i> </i>reveals a soft landscape—created from layers of cloth that are stitched into strata—supporting traces of failed (hard) architecture—dilapidated mining structures, hunting blinds, and communication towers. The improbable, rickety structures stand in opposition to the soft landscape that provides support to them.</span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOwF6ef0XL7Kqg6pFhbw1eqmDr498oyZehL9Ktph0e8khFoHTPvxHBvijrR48gSMuKuoNpurvbEECyKceKfKdC7byAUkonDpN68bG6HKhE_aAPHIdpFUH7FltwJogDPb9u6rpzwESCP-c/s1600/soft1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOwF6ef0XL7Kqg6pFhbw1eqmDr498oyZehL9Ktph0e8khFoHTPvxHBvijrR48gSMuKuoNpurvbEECyKceKfKdC7byAUkonDpN68bG6HKhE_aAPHIdpFUH7FltwJogDPb9u6rpzwESCP-c/s320/soft1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Blind, Muscle Memory</i> (detail), 2011</td></tr>
</tbody></table><div class="MsoNormal" style="line-height: normal;"><span style="font-family: "Optima","serif";">Topology, sewing, and elements of mapping underscore the parallels between the structures and functions of the human body, architecture, and the landscape. Honchell invites viewers to cross unseen boundaries and discover new territories while exploring the sense of touch in a visual way. </span></div><div class="MsoNormal" style="line-height: normal;"></div><div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Optima","serif";">The work in <i>Soft Infrastructure </i>explores memory, navigation, and landscape. Honchell was raised in a section of northeastern Pennsylvania known at the Endless Mountains. The small coal mining towns along the mountains in this area are not particularly notable but traveling through them shaped her. The bends and turns of the roads and rivers are etched into her memory as physical sensations, stories, and imagined adventures. </span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"></span></div><div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcz5cLPnEuEoKdfbR616EthCQTdOdPaZO_XtkmykWCLafnCSkkjaThFJAmxF0ozkdE_MBteZghdsQ83l0pZ0ECkhjIVcfkKkyNw31VsTeNhipTAqlea_rKhrhupxZPEspTPRZL-6TTvqI/s1600/BoqeaMJJgmNzREnB.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcz5cLPnEuEoKdfbR616EthCQTdOdPaZO_XtkmykWCLafnCSkkjaThFJAmxF0ozkdE_MBteZghdsQ83l0pZ0ECkhjIVcfkKkyNw31VsTeNhipTAqlea_rKhrhupxZPEspTPRZL-6TTvqI/s320/BoqeaMJJgmNzREnB.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> <div class="MsoNormal"><i><span style="font-family: Optima-Italic; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Optima-Italic;">Signaling Point (Red Tower)</span></i><span style="font-family: Optima-Regular; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Optima-Regular;">, 2010-11</span></div></td></tr>
</tbody></table><span style="font-family: "Optima","serif";">Her work embodies the idea that drawing is an extension of touch, the hand. Whatever the medium for drawing—pen, thread, wire—Honchell thinks about the haptic gestures made and recorded on, in, and through a surface. For the past year she has been engaged in studio investigations of drawing in this vein that that attempt to invert notions of soft and hard, fixed and malleable, structure and collapse. </span><span style="font-family: "Times New Roman","serif"; font-size: 12pt;"></span></div><br />
<div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_mjnnWl2ZkdF35t9-105Storiy-Tk9jxr0dMct9kX4sm27il5erFbpi11McEjTD_kzaMISd4R6Oxfx8e5WikTbkH97UIUTBSU7f0_EW5jb-o6dg5JQzb3d0XSEPMxu4_zpK50mABVziY/s1600/amy.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_mjnnWl2ZkdF35t9-105Storiy-Tk9jxr0dMct9kX4sm27il5erFbpi11McEjTD_kzaMISd4R6Oxfx8e5WikTbkH97UIUTBSU7f0_EW5jb-o6dg5JQzb3d0XSEPMxu4_zpK50mABVziY/s320/amy.JPG" width="226" /></a></td></tr>
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</div>Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-13605959670280917222011-02-28T11:43:00.000-08:002011-02-28T12:22:20.404-08:00New Spring Painting Show- Leslie Baum and Surabhi Ghosh<span style="font-size:100%;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGuDxJn86HCJhn7d3UVkMbMj_Q7Jd-_uIylYCNO9S5nHz2G2aafFWRbALfUAfQurk-E_BWoIMJlebdFq4r-0E_qhglLraybJH4K4QVClfhN8cPrQCe3JVYvaLZb9MDsPGAv04z2lro2rU/s1600/orb1_small.jpg"><br /></a></span><span style=";font-family:arial;font-size:100%;" >Opening-- Tuesday, March 29, 2011 6-9pm<br /></span><span style=";font-family:arial;font-size:100%;" >Please join us for the opening of the Spring Show at Lula Café which features paintings by two artists, Leslie Baum and Surabhi Ghosh.</span> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">If you can't make the opening come by any day to see this exhibition which runs through May.</span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;"> In the dining room of Lula you will find Axis Mundi, a nonhierarchical presentation of paintings by <a href="http://www.lesliebaum.net/"><b style="">Leslie Baum</b></a>. This body of work addresses the idea of the image and the fracturing of image. The paintings depict a collaged space where no one formal element is privileged over another and include large oil paintings and watercolors on arches paper. Baum bases her compositions on the innocuous groupings of pottery shards and stones encountered at archeological sites in New Mexico. Her paintings place the image fragments in a neutral context and in front of an audience never imagined by those who created of the patterned pottery. While acknowledging the mystery of the original messages, Baum’s paintings present an opportunity to make new meanings and associations.</span></p><p class="MsoNormal" style="font-family:arial;"><a><span style="font-size:100%;"></span></a><span style="font-size:100%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDflV1RPQukPQ1eX0THqsH4xOzf8FETAOty7yHDvZIJnf6YDPuZuE5VFxAtcgVxkPzKciiGfvuiav1XPsyA1jmFhub7NLvwRxmNkBEKMoPyKpH6AUDrPvtE_he1PFm_Doa2MR1skN6Dlk/s1600/axismundi.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDflV1RPQukPQ1eX0THqsH4xOzf8FETAOty7yHDvZIJnf6YDPuZuE5VFxAtcgVxkPzKciiGfvuiav1XPsyA1jmFhub7NLvwRxmNkBEKMoPyKpH6AUDrPvtE_he1PFm_Doa2MR1skN6Dlk/s320/axismundi.jpg" alt="" id="BLOGGER_PHOTO_ID_5578830568013903122" border="0" /></a></span></p><p style="text-align: center;font-family:arial;" class="MsoNormal"><span style="font-size:85%;"><span style="font-style: italic;">Axis Mundi,</span> 2010</span></p><p style="text-align: center;font-family:arial;" class="MsoNormal"><span style="font-size:100%;"><span style="font-size:85%;">Oil on canvas, 72" x 96"</span></span></p><p style="text-align: center;font-family:arial;" class="MsoNormal"><a href="http://www.lesliebaum.net/"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmuEHHGUs3B7xYgdnBi8MpL7NmynMVASDUcgka4PWkIavC-0RGA6q3BdJYbgNXl3U_9Hvs6_JgIteitAoeE1hQwk3UqXGPiBVhT7UqvU4gOSiP8jCW65VxCi8-AFiDOpFJJsnam4_FNj4/s320/mywayHighway.jpg" alt="" id="BLOGGER_PHOTO_ID_5578836722411979138" border="0" /></a></p><p style="text-align: center; font-family: arial;" class="MsoNormal"><span style="font-size:85%;"><span style="font-style: italic;">My Way or the Highway</span>, 2010</span></p><p face="arial" style="text-align: center;" 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mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> </p><p style="font-family:arial;"><span style="font-size:100%;">In the bar we have displayed the recent work of <a href="http://surabhighosh.com/"><b style="">Surabhi Ghosh</b></a> which centers on how pattern and decoration can act as meaningful though often unrecognized signifiers within spiritual, political, and domestic narratives. Through recurrent or systematic use, motifs become codes and patterns become language; only members of a community can fully understand their meaning. But in some instances a symbol (e.g., the circle) holds similar meanings across disparate locations and histories.<span style=""> </span>Her work taps into these shared authorless codes and embodies the mysteries of connectivity found in decorative patterning. Focusing on circles, dots, and borders, she transforms the peripheral into the subject by filling the picture plane with meticulously detailed patterns, reclaiming decoration as valuable rather than disposable. The work of Surabhi Ghosh represents both the tangible and the unknowable while prompting viewers to concentrate on what is often overlooked or undervalued.</span></p><p style="font-family:arial;"><a><span style="font-size:100%;"></span></a><span style="font-size:100%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGuDxJn86HCJhn7d3UVkMbMj_Q7Jd-_uIylYCNO9S5nHz2G2aafFWRbALfUAfQurk-E_BWoIMJlebdFq4r-0E_qhglLraybJH4K4QVClfhN8cPrQCe3JVYvaLZb9MDsPGAv04z2lro2rU/s1600/orb1_small.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 306px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGuDxJn86HCJhn7d3UVkMbMj_Q7Jd-_uIylYCNO9S5nHz2G2aafFWRbALfUAfQurk-E_BWoIMJlebdFq4r-0E_qhglLraybJH4K4QVClfhN8cPrQCe3JVYvaLZb9MDsPGAv04z2lro2rU/s320/orb1_small.jpg" alt="" id="BLOGGER_PHOTO_ID_5578831425326707314" border="0" /></a></span></p><p style="text-align: center;font-family:arial;"><span style="font-size:85%;"><span style="font-style: italic;">Orb 1</span>, 2010<br /></span></p><p style="text-align: center;font-family:arial;"><span style="font-size:100%;"><span style="font-size:85%;">Acrylic and acrylic gouache on panel , 12" x 12"</span><br /></span></p><p style="text-align: left;font-family:arial;"><a><span style="font-size:100%;"></span></a><span style="font-size:100%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6kzT3A-XTHng638EDbGdM-0b_EXRR_mNi1dRLuMMTF-wfwv1iy_jDoEi64tF0-1DPXjcCpiMfGRmEqbhnkOBE4PX2jPqHDw5bYsgB41tvv7bvMpBvg-_2uCYr0qgPN5vwGPk772KSgSE/s1600/Earthwork_small.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 271px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6kzT3A-XTHng638EDbGdM-0b_EXRR_mNi1dRLuMMTF-wfwv1iy_jDoEi64tF0-1DPXjcCpiMfGRmEqbhnkOBE4PX2jPqHDw5bYsgB41tvv7bvMpBvg-_2uCYr0qgPN5vwGPk772KSgSE/s320/Earthwork_small.jpg" alt="" id="BLOGGER_PHOTO_ID_5578831183762350962" border="0" /></a></span></p><p style="text-align: center;font-family:arial;"><span style="font-size:85%;">Earthwork, skywork, 2010</span></p><p style="text-align: center;font-family:arial;"><span style="font-size:100%;"><span style="font-size:85%;">Acrylic on found panel, 14"x11"</span><br /></span></p><p style="font-family: arial;" class="MsoNormal"><span style="font-size:100%;">For more information and prices contact curators; </span><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:donotshowinsertionsanddeletions/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> 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</xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style="font-size:100%;">Anders Nilsen, <a href="mailto:ndrs@hotmail.com">ndrs@hotmaildotcom</a> or Marianne Fairbanks, <a href="mailto:mfairb@gmail.com">mfairb@gmaildotcom</a></span></p> <p class="MsoNoSpacing" style="font-family:arial;"><span style="font-size:100%;">Lula Café - 2541 North Kedzie Blvd - Chicago, IL 60618</span></p> <p class="MsoNormal"><span style=";font-family:";" > </span></p>Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-18908031666498317452010-10-13T17:13:00.000-07:002010-10-13T17:31:06.432-07:00Wandering Cloud -- The Photography of Debbie Carlos<span style="line-height: 115%;font-family:";font-size:85%;" >For our fall show we are hosting an exhibition titled <i style="">Wandering Cloud</i>, featuring the photography of <a href="http://debbiecarlos.com/">Debbie Carlos</a>.<span style=""> </span>With her uncanny eye for light and detail, Carlos is able to capture the ephemeral beauty in moments of quiet.<span style=""> </span>This exhibit features a poetic series of photos that focus on a hand--covered in fur, holding an egg, or subtly stained with beet juice.<span style=""> </span>Also on display will be a range of Carlos’s work that transports the viewer to a variety of places including an orange field of flowers, a rock carved river gorge, and a train station in Kyoto. 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mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style="line-height: 115%;font-family:";font-size:85%;" >Please join us on October 26 from 6-9 p.m. at Lula Café for a reception celebrating the opening of <span style="font-style: italic;">Wandering Cloud</span>. This exhibition runs October through December.<br /></span></p><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhel6o7Lsgc-3rz5rDtS9lVKA7pOtcratRASCR6PAuLxz705R_R_q-grrrUqktcFZ3msvGcyaceuro8bHmnREFnnQ9LSxsXKjXfAu1MSiLQB90NIVDgc5xwRIgmvaxJwD8IO7uT2x2XzEU/s1600/bunheadrubshand.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 265px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhel6o7Lsgc-3rz5rDtS9lVKA7pOtcratRASCR6PAuLxz705R_R_q-grrrUqktcFZ3msvGcyaceuro8bHmnREFnnQ9LSxsXKjXfAu1MSiLQB90NIVDgc5xwRIgmvaxJwD8IO7uT2x2XzEU/s400/bunheadrubshand.jpg" alt="" id="BLOGGER_PHOTO_ID_5527689419276397442" border="0" /></a><span style="font-size:100%;"><span style="font-family:arial;">Hand Fluff, 2009</span></span><a 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mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style=";font-family:arial;font-size:85%;" >Taroko Gorge, 2009</span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMYK4u8EEI8ezpRUvTgk3wV4ScJBFNYd09aM4kxpvEKwUpYmiC-mIImQzlDQbV6iJl2NxFwEsu2NgTiQE1P7govnyr0zqvRu8913W-yOEZKm-JjxGZ1IKpronH_rrswxs03DdggwEc5U/s1600/tokyoparkflowers.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 265px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMYK4u8EEI8ezpRUvTgk3wV4ScJBFNYd09aM4kxpvEKwUpYmiC-mIImQzlDQbV6iJl2NxFwEsu2NgTiQE1P7govnyr0zqvRu8913W-yOEZKm-JjxGZ1IKpronH_rrswxs03DdggwEc5U/s400/tokyoparkflowers.jpg" alt="" id="BLOGGER_PHOTO_ID_5527690571136948594" border="0" /></a><span style="font-size:85%;"><span style="font-family:arial;">Tokyo Flowers, 2009<br /><br /></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1dLJ7dZUcJHge_yZRp19KippETeevdDtIeLP-2WbJJY4IWvtRvgZPQA2ks89RVMXamiV5PK8x3gZ-S_PD8cwc_h2EP5RT6zsBtjAbYq5YSM42rG35tPS4kHAI7gLEqHOvvIeIglVRTY/s1600/24_shigano.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1dLJ7dZUcJHge_yZRp19KippETeevdDtIeLP-2WbJJY4IWvtRvgZPQA2ks89RVMXamiV5PK8x3gZ-S_PD8cwc_h2EP5RT6zsBtjAbYq5YSM42rG35tPS4kHAI7gLEqHOvvIeIglVRTY/s400/24_shigano.jpg" alt="" id="BLOGGER_PHOTO_ID_5527691105710250914" border="0" /></a><span style=";font-family:arial;font-size:85%;" >Sprout 1, 2007</span><br /><span style="font-size:85%;"><span style="font-family:arial;"><br /></span></span></div><p style="font-family: arial;" class="MsoNormal"></p>Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-18672434484820908312010-08-24T14:26:00.000-07:002010-08-24T14:46:13.980-07:00Engine Manual<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDgejJYcVbl6c5b8Lrcho0I5yHqveUSSrkQpW7xcsf5slLDHZlCCGmwcZfqZmN98MNEncGYz11p_Q-1HTmAQQ7PXledEJ-OraqpEhA3CfScm-tg-TqrOJL7VKIW8HGBb0DIOxv9m9jvYI/s1600/sc004c2a76.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 332px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDgejJYcVbl6c5b8Lrcho0I5yHqveUSSrkQpW7xcsf5slLDHZlCCGmwcZfqZmN98MNEncGYz11p_Q-1HTmAQQ7PXledEJ-OraqpEhA3CfScm-tg-TqrOJL7VKIW8HGBb0DIOxv9m9jvYI/s400/sc004c2a76.jpg" alt="" id="BLOGGER_PHOTO_ID_5509091895403461922" border="0" /></a><br />We made a little catalog for the Car Engine show, featuring images of each of the artist's work. Proceeds from sales of the catalog will go to benefit Tommi Musturi and Marijpol, whose work was damaged in the flood at Lula a couple of weeks ago (see left to order). Below is the first spread.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQWdKilvRb3qLg1r6iXHUUvBvnujzNGXJ2sRErMRIzc3GAC65Qx1hEUu2FYrG2FRbK8DBxjn-BP6ieCPjZPGy9BfJkN_cET-LEStAhh1UpHuLincizngnW2cspKg7HwLXkJkkG_iXqiIE/s1600/P1040455.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 225px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQWdKilvRb3qLg1r6iXHUUvBvnujzNGXJ2sRErMRIzc3GAC65Qx1hEUu2FYrG2FRbK8DBxjn-BP6ieCPjZPGy9BfJkN_cET-LEStAhh1UpHuLincizngnW2cspKg7HwLXkJkkG_iXqiIE/s400/P1040455.jpg" alt="" id="BLOGGER_PHOTO_ID_5509091885188307218" border="0" /></a>Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com1tag:blogger.com,1999:blog-5370187919910128077.post-25255740053557913322010-08-22T09:44:00.000-07:002010-08-22T10:09:35.604-07:00Laura Park<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyDaFx8qb5qkn_dBVZGg8W7-AXdTLLbk0eBdN2noVeo_sdyrWhTTMHJ3cdVTnmtc6bDyKIJZrYLIc3yKCPL4jxkPgOzRVoZhredIHbyhsQ45xHhyeFYbs0Ux5OqF6sabNIW5NsSStZpA0/s1600/GetInline-2.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 314px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyDaFx8qb5qkn_dBVZGg8W7-AXdTLLbk0eBdN2noVeo_sdyrWhTTMHJ3cdVTnmtc6bDyKIJZrYLIc3yKCPL4jxkPgOzRVoZhredIHbyhsQ45xHhyeFYbs0Ux5OqF6sabNIW5NsSStZpA0/s400/GetInline-2.jpg" alt="" id="BLOGGER_PHOTO_ID_5508276987671348050" border="0" /></a>I'm not sure exactly how I came across Laura Park's amazing and beautiful <a href="http://www.flickr.com/photos/featherbed/sets/986186/">sketchbooks on Flickr</a>. As a Chicago cartoonist I knew her, vaguely, as friends of friends, and had seen and admired her mini-comics. But they didn't prepare me for the breathtaking and playful color comics and drawings in her sketchbooks. It felt like peering down a rabbit hole in the woods and realizing it's filled with gold. Several of these will be on display in the bar cases at Lula through December, installed in time to be featured along with the <a href="http://lulaswalls.blogspot.com/2010/07/car-engine-invitational-drawing-show.html">Car Engine Show</a> for Lula's first proper art opening (Tuesday, August 24th, 6-9). In the months that follow, pages will be turned now and then as the mood strikes us.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoSRPiXr0lTMSRfY5vyz8Ww1i9F7YKTMzxdcy-N_6B690hVuwWsulwDew67eTZf1ws7yZsEqcl1nJe44zve_bqX8Gct3XyydlPCIBQ8j9kvh2em2AKAwSRqmd9B8FrpcydqSi4ew8fotw/s1600/GetInline-3.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 254px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoSRPiXr0lTMSRfY5vyz8Ww1i9F7YKTMzxdcy-N_6B690hVuwWsulwDew67eTZf1ws7yZsEqcl1nJe44zve_bqX8Gct3XyydlPCIBQ8j9kvh2em2AKAwSRqmd9B8FrpcydqSi4ew8fotw/s400/GetInline-3.jpg" alt="" id="BLOGGER_PHOTO_ID_5508276996546148610" border="0" /></a>Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com0tag:blogger.com,1999:blog-5370187919910128077.post-67396214736348913532010-08-14T12:04:00.000-07:002010-08-14T12:56:18.944-07:00Amanda Vahamaki and Michelangelo Setola<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCHI8H0Hhqi3ff0vLOJFo5o6KxXRcHFr4PM1r7ubNLJRAHR0F_fppO1u9_x2wlNnymtH3uz08VhSpEEz7PkGdvB7ZOl5A8-2vrUhyCHEYFNOYuDZjAsxFodUlQQTxOAjRuqfYUOO4dYRU/s1600/sc000e1e11.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 333px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCHI8H0Hhqi3ff0vLOJFo5o6KxXRcHFr4PM1r7ubNLJRAHR0F_fppO1u9_x2wlNnymtH3uz08VhSpEEz7PkGdvB7ZOl5A8-2vrUhyCHEYFNOYuDZjAsxFodUlQQTxOAjRuqfYUOO4dYRU/s400/sc000e1e11.jpg" alt="" id="BLOGGER_PHOTO_ID_5505350780271113986" border="0" /></a>Concurrent with the Car Engine Drawing Show this Summer is a show of pencil drawings by Finn <a href="http://www.drawnandquarterly.com/shopCatalogLong.php?st=art&art=a4676ee9a6cf64">Amanda Vähämäki</a> and Italian <a href="http://www.canicola.net/setola.htm">Michelangelo Setola</a> both of whom are connected to the italian comics collective <a href="http://www.canicola.net/autori.htm">Canicola</a>. The drawings are partially collaborative, many have appeared in their artists book <a href="http://www.book-by-its-cover.com/fineart/souvlaki-circus">Souvlaki Circus</a>, published in the U.S. by the late, lamented <a href="http://www.buenaventurapress.com/">Buenaventura Press</a>. The drawings are little gems of narrative image making. They are mysterious, understated and dreamlike. They are being seen in the U.S for the first time (Lula's show follows on the heels of a show at <a href="http://thelarch.org">Home Gallery</a> in Hyde Park), and it may be a while before these artists work will be seen here again. Reception with wine and food August 24th, 6-9.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzpjyOF3dHiIw4Hi9ZlOdR54RSbZYPaYuNswnZuJ7DPISl1rrtEn3DT3rS289T06C7C6X4KGs4mJzt97Yx7kL_afU32sW8PzXwiKhj_EWTy2wGdMD3kC6-Tjzh0XhRsMPtAn7qX5RHTD4/s1600/sc000dff6c.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 336px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzpjyOF3dHiIw4Hi9ZlOdR54RSbZYPaYuNswnZuJ7DPISl1rrtEn3DT3rS289T06C7C6X4KGs4mJzt97Yx7kL_afU32sW8PzXwiKhj_EWTy2wGdMD3kC6-Tjzh0XhRsMPtAn7qX5RHTD4/s400/sc000dff6c.jpg" alt="" id="BLOGGER_PHOTO_ID_5505350767553739138" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHiXJNS4py4L7wikYYwmrUKrnQAU7sYEMbH9b_lIt_47HF11dhU8VmHiscIDvSIQnvAXlaYj4vaA6yuxm8PpqDNeKOoumMUtHX6xq5FkoC-2oyPe5W-G7z-sNFKeORg4xdoUYoLC6LnLw/s1600/sc000df8ec.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 337px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHiXJNS4py4L7wikYYwmrUKrnQAU7sYEMbH9b_lIt_47HF11dhU8VmHiscIDvSIQnvAXlaYj4vaA6yuxm8PpqDNeKOoumMUtHX6xq5FkoC-2oyPe5W-G7z-sNFKeORg4xdoUYoLC6LnLw/s400/sc000df8ec.jpg" alt="" id="BLOGGER_PHOTO_ID_5505350758916316306" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsPGmEvlIcjdUYZMZe3djEeFP0s8V2nzsVHJUSR5fFtgPcLOJnxslPzuyr4VZFsRY1oX_eh8oc2hNg9r077G2V0Vpi6MBmKXavIj8rbUa-C6mRdXxc8qebhRqA7nvZghjOApUeYRnH1pY/s1600/sc000e0f59.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 328px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsPGmEvlIcjdUYZMZe3djEeFP0s8V2nzsVHJUSR5fFtgPcLOJnxslPzuyr4VZFsRY1oX_eh8oc2hNg9r077G2V0Vpi6MBmKXavIj8rbUa-C6mRdXxc8qebhRqA7nvZghjOApUeYRnH1pY/s400/sc000e0f59.jpg" alt="" id="BLOGGER_PHOTO_ID_5505350749112964194" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6TIceowZxqVYvStfvjv1-Hw7BEP51WoxBAaQGBzXahNR602mAAwxgKJQjtcaQ0SAC3biUXKavMzLBsVd6EfTM2UXbn2NSps05uikrLMGC9lEd1qiPP3sjJvT6l8bPxVvqQ-nKAqm12Os/s1600/P1040342.JPG"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 225px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6TIceowZxqVYvStfvjv1-Hw7BEP51WoxBAaQGBzXahNR602mAAwxgKJQjtcaQ0SAC3biUXKavMzLBsVd6EfTM2UXbn2NSps05uikrLMGC9lEd1qiPP3sjJvT6l8bPxVvqQ-nKAqm12Os/s400/P1040342.JPG" alt="" id="BLOGGER_PHOTO_ID_5505346059158613282" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGqH2mxlKS0yURn1ZISlewLvmGRBIzpK_noRMToRDu2Wsk4ILTWvin2YD5RR0fjhyRWUWGMFnzTs0UCEj97fZtXLH6xFP7OTxZak7K-GgHBWLII4MOyj3cfR1CU-7GRzZ32JKtFHVtODk/s1600/P1040349.JPG"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 225px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGqH2mxlKS0yURn1ZISlewLvmGRBIzpK_noRMToRDu2Wsk4ILTWvin2YD5RR0fjhyRWUWGMFnzTs0UCEj97fZtXLH6xFP7OTxZak7K-GgHBWLII4MOyj3cfR1CU-7GRzZ32JKtFHVtODk/s400/P1040349.JPG" alt="" id="BLOGGER_PHOTO_ID_5505345714026824498" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhanPHhQoK28fu2d3pbJCxqGRj6ryBIaSu1P8qMempEHNQastduh1JkY1EAjwBt5kclg8BhuUrHjzVY7tmsCNhSlJ-o50CFMdWF9uj3ZxpOL0cSwLWhT7wfRK73V9Mgy0gUU6k2bG4WP_o/s1600/P1040355.JPG"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 225px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhanPHhQoK28fu2d3pbJCxqGRj6ryBIaSu1P8qMempEHNQastduh1JkY1EAjwBt5kclg8BhuUrHjzVY7tmsCNhSlJ-o50CFMdWF9uj3ZxpOL0cSwLWhT7wfRK73V9Mgy0gUU6k2bG4WP_o/s400/P1040355.JPG" alt="" id="BLOGGER_PHOTO_ID_5505345707913368258" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4vqK-hskEHKfPHxbCbfEatQdw9RPKakinITWIRv_LuuaC1VTOx44x8ilHLoOJr1qGtBSDo1o0xbP07FGPOaWgQeOipRFIfhaBBl6yvxN-Tn_9bKvPdHCQhkxNVkqZqx3YY-ywzmwWVJ4/s1600/P1040356.JPG"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 225px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4vqK-hskEHKfPHxbCbfEatQdw9RPKakinITWIRv_LuuaC1VTOx44x8ilHLoOJr1qGtBSDo1o0xbP07FGPOaWgQeOipRFIfhaBBl6yvxN-Tn_9bKvPdHCQhkxNVkqZqx3YY-ywzmwWVJ4/s400/P1040356.JPG" alt="" id="BLOGGER_PHOTO_ID_5505345700864871490" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7q6jUEl6r5g-8K5DpKJv6xnySKTZ2Z3VfdK8QuQf9aaDtWlMC8akle6hCOeMvCn7DBbH1Ye3DDTlOgvEmCJym4VyhuBoymz4CDUw6KieBxb0LcCgPaWqwBPEm8UqQ0Bczqsl8WDGKp8w/s1600/P1040360.JPG"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 225px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7q6jUEl6r5g-8K5DpKJv6xnySKTZ2Z3VfdK8QuQf9aaDtWlMC8akle6hCOeMvCn7DBbH1Ye3DDTlOgvEmCJym4VyhuBoymz4CDUw6KieBxb0LcCgPaWqwBPEm8UqQ0Bczqsl8WDGKp8w/s400/P1040360.JPG" alt="" id="BLOGGER_PHOTO_ID_5505345694593840274" border="0" /></a>Anders Brekhus Nilsenhttp://www.blogger.com/profile/15565888037054277178noreply@blogger.com1